Audition preparation for the senior level County Enembles
Advice for strings, woodwind and brass players to prepare for an audition for the senior-level ensembles – City & County Youth Orchestra (CCYO) and City & County Youth Wind Band (CCYWB)
Congratulations on being invited to an audition for the senior-level City & County Ensembles. Please give the advice on this page a read to best prepare you for what we will ask you to play in your audition.
Audition piece
In your audition, you’ll be asked to perform a piece or study (or a selection) that demonstrates the range of your instrument, with a variety of moods, dynamics and tempos. We are looking for a performance that shows good articulation, dynamic contrast, and strong overall musicianship.
- Length: Players have a maximum of 6 minutes for their performance. The piece does not need to last this long, but we will ask players to stop at the 6-minute mark.
- Accompaniment: We ask all players to perform without accompaniment.
- Music: Please bring a photocopy of the music for the audition panel to follow. This will be returned to you after your audition.
What grade level do I need to prepare?
This depends on a few factors, including which ensemble you are hoping to be in, and what instrument you play.
- String players – Violin, Viola, Cello, Double Bass: All string players will audition for the City & County Youth Orchestra (CCYO) and should prepare a piece of grade 6+ level.
- Woodwind and brass players for Wind Band – Flute, Oboe, Clarinet, Saxes, Bassoon, Horn, Trumpet/Cornet, Trombone, Euphonium and Tuba: Those who only want to be considered for City & County Youth Wind Band (CCYWB) should prepare a piece of grade 6+ level.
- Woodwind and brass players for Orchestra – Flute, Oboe, Clarinet, Bassoon, Horn, Trumpet, Trombone and Tuba: Those players wanting to be considered for City & County Youth Orchestra should prepare a piece of grade 7+, but successful players are often grade 8 standard.
Sight reading
You’ll be given a short extract of ensemble music to prepare for 10 minutes before your audition as a piece of sight-reading.
- Woodwind and brass players for Orchestra – Flute, Oboe, Clarinet, Bassoon, Horn, Trumpet, Trombone and Tuba: You will be given a harder orchestral extract which may include alternative clefs (bassoon and trombone), or transposition (horn, trumpet, trombone).
Scales and arpeggios
You’ll also be asked to play a selection of scales and arpeggios in your audition.
- String players:
Violin, Viola, Cello, Double Bass
- Woodwind players:
Flute, Oboe, Clarinet, Bassoon, Saxophones
- Brass players:
Horn, Trumpet/Cornet, Euphonium, Trombone, Tuba
Violin
You should be ready to be prepared for both slurred and legato bowing.
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Scales and arpeggios − F# major and minor (2 octaves); Bb major and minor (3 octaves) [Guide tempos − Scales: crotchet = 92, Arpeggios: dotted crotchet = 46]
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Chromatic − starting on C (2 octaves) [Guide tempo − dotted crotchet = 60]
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Dominant/diminished 7ths − Dominant 7th in the key of F (2 octaves); Diminished 7th starting on C (2 octaves) [Guide tempo − crotchet = 69]
-
Double stops (broken steps) − Bb major in 6ths [Guide tempo − crotchet = 92]
Viola
You should be ready to be prepared for both slurred and legato bowing.
-
Scales and arpeggios − Ab major and minor (2 octaves); D major and minor (3 octaves) [Guide tempos − Scales: crotchet = 84, Arpeggios: dotted crotchet = 42]
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Chromatic − starting on C# (2 octaves) [Guided tempo − dotted crotchet = 56]
-
Dominant/diminished 7ths − Dominant 7th in the key of G (2 octaves); Diminished 7th starting on D (2 octaves) [Guide tempo − crotchet = 63]
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Double stops (broken steps) − Eb major in 6ths [Guide tempo − crotchet = 72]
Cello
You should be ready to be prepared for both slurred and legato bowing.
-
Scales and arpeggios − B major and minor (2 octaves); D major and minor (3 octaves) [Guide tempos − Scales: crotchet = 72, Arpeggios: quaver = 116]
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Chromatic − starting on D (2 octaves) [Guide tempo − dotted crotchet = 48]
-
Dominant/diminished 7ths − Dominant 7th in the key of G (2 octaves); Diminished 7th starting on F (2 octaves) [Guide tempo − crotchet = 58]
-
Double stops (broken steps) − C major in 6ths [Guide tempo − crotchet = 72]
Double Bass
You should be ready to be prepared for both slurred and legato bowing.
-
Scales and arpeggios − F major and minor (2 octaves); Thumb position D major (1 octave); Broken thirds G major (1 octave) [Guide tempos − Scales: crotchet = 56, Arpeggios: quaver = 104, Broken thirds: crotchet = 56]
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Chromatic − starting on E [Guide tempo − crotchet = 56]
- Dominant/Diminished 7ths − Dominant 7th in the key of A (2 octaves); Diminished 7th starting on G (2 octaves) [Guide tempo − crotchet = 52]
Flute
You should be prepared for slurred, legato-tongued, and staccato playing.
Oboe
You should be prepared for slurred, legato-tongued, and staccato playing.
Clarinet
You should be prepared for slurred, legato-tongued, and staccato playing.
Bassoon
You should be prepared for slurred, legato-tongued, and staccato playing.
Saxophones
You should be prepared for slurred, legato-tongued, and staccato playing.
French Horn
You should be prepared for slurred, legato-tongued, and staccato playing.
Trumpet/Cornet
You should be prepared for slurred, legato-tongued, and staccato playing.
Euphonium (treble)
You should be prepared for slurred, legato-tongued, and staccato playing.
Euphonium (bass)
You should be prepared for slurred, legato-tongued, and staccato playing.
Trombone
You should be prepared for slurred, legato-tongued, and staccato playing.
Bass Trombone
You should be prepared for slurred, legato-tongued, and staccato playing.
Tuba
You should be prepared for slurred, legato-tongued, and staccato playing.